Beginning writers are often advised to “write what you know,” that way words and stories and emotions will resound authentically. The general public has glommed on to this aphorism and often conflates “write what you know” with “write your actual lived experience”. Erotica and erotic romance writers especially fall victim to this definition. We get a lot of “heh, heh” “snicker, snicker” at parties and such, because of course we’ve all done every blessed thing our characters have done.
The weird thing is that no one asks murder mystery writers if they’ve ever killed a person, or pseudo-medieval fantasy authors if they’ve quashed enemies to garner a throne, or vampire epic authors if they enjoy the taste of blood. Nope. It’s just the sex writers who get asked all the crazy questions.
Someday I’m just going to say, yes, if you’ve read it, I’ve done it, so why don’t you just go out and buy all my books, please, and then we’ll talk about time traveling back to 1777 New York and getting gang-banged by Hessians and a British general.
The truth behind writing fiction is far more interesting and fun. I’ve written about the weird experience of characters who refused to do what I wanted them to do, of characters who utterly drove a sex scene (and again), and having history spark my imagination.
As I delve more fully into unknown frontiers of writing, though, “write what you know” takes on a whole new meaning. I wanted to write Steampunk, but I know nothing about machines. Yet, I do know enough about the Victorian era to tweak it a bit. I wanted to write about Vikings, but my academic background is in the Late Roman-Early Byzantine period. Ah-ha! The Vikings paid a visit to Byzantine Constantinople. I thought about writing paranormal, and...
I got nothing.
I seriously do not understand things like shape-shifters and vampires, and it takes a really good writer to make those things sexy to me. I swore I would never write paranormal for these reasons.
I was taking a writing class a couple of years ago, and we had to post a link to an excerpt. I had only one polished excerpt to share at the time, from Hadrian and Sabina: A Love Story, an epic historical erotic romance, with four intertwining love stories. Upon re-reading the excerpt I suddenly realized: oh my god this is paranormal.
So I had already written paranormal, just not the kind of paranormal (e.g., vampires, shape-shifters) that’s really popular. It was a kind of paranormal I knew, with Greco-Roman gods and goddesses and a dream-like setting. I went back and re-read Hadrian and, lo and behold, there were other light paranormal elements, including a great four-way sex scene.
When the Naughty Literati were planning our anthology Naughty Flings with a springtime theme, I asked myself “what do I know about spring?” (because, um, you know, the whole write what you know thing). Hmmm...the end of winter’s frost brings a rejuvenation of the earth...agriculture...Demeter, the goddess of agriculture...who brings winter to the earth when her daughter Persephone is abducted by Hades...and spring arrives when Persephone is released. I’d written about all of that before, in Hadrian and Sabina. In that book I offered an alternate interpretation of the Persephone myth. And in "Hot as Hades" I offer yet another interpretation.
I had a lot of fun writing the story -- the paranormal story. I hope you enjoy reading it.
About the Author
Regina Kammer is a librarian, an art historian, and an award-nominated, Amazon best-selling, multi-published writer of erotica and historical erotic romance. Her short stories and novels have been published by Cleis Press, Go Deeper Press, Ellora’s Cave, House of Erotica, The Naughty Literati, and her own imprint, Viridium Press. She began writing historical fiction with romantic elements during National Novel Writing Month 2006, switching to erotica when all her characters suddenly demanded to have sex.
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