You’d think I’d know everything about this subject—after
all, I’ve been in the grip of writers block for well over a decade. There are
many moments when I stare blankly at the screen wondering if the next word should
be and, if or but.
What happened, you ask? What happened to the
RITA-nominated, best-selling, award-winning Sue Swift that pushed her into
becoming Suz deMello, hesitant yet subversive erotica novelist?
When I first
started writing, it seemed as though the words spilled out in an unstoppable
flow. I’d get up at two am and write until four. On weekends, I was a river of words—good
ones, too—beautiful phrases, sexy love scenes, deeply felt emotion, witty
banter.
A series of life setbacks ensued: dead and dying family
members, a marriage gone south, an editor who hated my work. This is one of the
pitfalls of being with a publisher—people come and go, shift jobs and so on,
and then you’re suddenly with an editor who didn’t acquire you initially and
who really doesn’t like your writing.
And so I found myself orphaned at
Harlequin/Silhouette, which in the best of times can be a very challenging work
environment. I bounced around for a while, selling old manuscripts to Five Star
for the hard-cover library market until they stopped buying romances. Then I
languished. And anguished.
So, while I know a great deal about writers block,
I’m not sure how to even spell the words. Is it writers, writer’s or writers’?? (Oh, those pesky apostrophes!)
But here are a few approaches that work, at least for
me:
Paradoxically: stop
trying. Yes, I actually mean stop
writing. Instead, do
something else that exercises your creativity. My favorite is refinishing
old furniture. I’m moving back into my condo, where a tenant’s been living
while I cared for my elderly mother. She’s with my brother now, so I can resume
my life, and I’m looking forward to that. But there are a lot of built-ins in this
home, including a huge dresser, where about a third of my clothes have been
residing. And I gave my now ex-boyfriend the storage I’d been using—which itself
had been a rescue-and-refinish item. So I get to do the same thing all over
again. Yay!
I love the process of finding the right piece,
deciding what colors to paint it, discovering the perfect drawer pulls. But you
have to have the temperament for this. You have to love wandering around thrift
shops and hardware stores. I happen to, so I’m good.
But do whatever tickles your fancy. Maybe you’ve
always loved stained glass but never had the cojones to try that. Find a local
class and give it a whirl. Try Paint Nite—in many cities, there’s an
organization that sets these up in local bars. A team has already provided the
materials you need, and an instructor walks everyone through painting a
preconceived work. It’s a step up from paint-by-numbers, and because there’s
alcohol involved, it’s fun, especially with a friend.
Another tactic is to go back to the original wellspring. For me, it’s Regency romance
and Gothics, which were the only romances I’d read before I started writing. I
was hooked on Georgette Heyer and Victoria Holt, which explains a lot about the
stories I write.
Being blocked as well as hella busy with life, I’m
not writing right now but am moving, contemplating the dresser I want to find
and refinish, and yes, reading a lot of Regency romance.
So the trick is to make this fallow period in your
creative life a productive and fun time rather than wallowing in depression.
Another tactic is to shift your writing focus. Write something you’ve never
written
before, but has intrigued you nevertheless. When I found myself at a standstill
with Harlequin/Silhouette, where I wrote sweet romances, my friends persuaded
me to write erotic romance for the burgeoning online market. So I wrote my
first erotic romance novel, recently republished as Phoenix and Dragon. I haven’t made as much money as I would have if
I’d persisted at H/S, but I’m much happier.
https://www.smashwords.com/books/view/706116 |
But what do you do when you’ve found an idea that
sparks you, but it’s sooooo hard to write even a word?
Tactic number three: best to use when you’ve
managed to get yourself immersed in a project: don’t allow yourself to do anything on your weekend until you’ve
written a chapter. It doesn’t have to be a great chapter. (It should,
however, be decently long, at least 5000 words.) Even if it sucks, you have
spare moments during the week to make repairs. As Nora Roberts famously said
(paraphrasing here): “I can fix a bad page, but not a blank one.”
I remember when I was living in China and teaching
toddlers English as my day job. On Saturday I’d get up and stay in my PJs until
I’d written a chapter of Temptation in
Tartan. Sometimes I didn’t get out of my apartment until 2 pm! But it
turned out to be a damned good book.
Read it yourself and find out:
https://www.smashwords.com/books/view/671570 |
And in the meantime, don’t stress about it. Fear is the mind-killer, as Frank Herbert
told us in Dune. Stress will block you
as surely as a big rig overturning during rush hour.
BTW there's hope: since I found myself blocked, I've written far more than I did before that awful time. I'd written maybe eight books and a couple of short stories. To date, I've written ten more novels and too many short stories and blogs to count.
So don't worry. You can push through this.
Good luck and happy writing!
Playing musical editors is never easy. I think most of us have our horror stories. When I get in a funk, I write what I want to write - what I love. Those books always sell. It's only when I try to bend my writing to a certain style that I get into trouble. Good luck with your muse. :)
ReplyDeleteThanks, Tina!
ReplyDeleteI think burn out with life's responsibilities kills creativity. It's hard to be creative when your mind and body are exhausted. Gardening and home improvements helps for me. Traveling and vacations also help. :)
ReplyDelete